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JillBaker.com Portfolio and Blog


Glass House
Oil and Collage 24" X 36"


Jill writes her books, which include My Turn, a romantic novel, Poems of Accord and Satisfaction (Poetry), and Elba Journal, and paints in a studio located behind her home in New Harmony, Indiana, a utiopian community on the Wabash River.



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6/30/2009
It is cooler today, the cool breeze dropping the temperature to less than the over-100-degree weather we have had for the past two weeks. I am watching a wild party of birds hopping around in the water on the shady sidewalk where the sprinkler is dropping a puddle from a tree. They are also happy it is cooler.

I think about the Spiritual Workshop I attended last Saturday with Nancy Roth. During the workshop, she introduced us to "Peace Walking." I don't know whether it got its name from the monk who took days walking at a snail's pace from the U.N. on the east side to the Hudson River on the west side in New York, which she described, or from the feeling it gives you.

We walked so slowly, barely moving at all, making every tiny motion of every step a deliberate part of the process. Barefooted on a cool poplar floor in the Abbey, we were each so ensconced in our own intense experience we did not even see the others creeping by.

My experience with the slowly touching the heel to the floor ahead of me, rolling the foot forward, so that each of the 26 bones in the foot fall into their proper place, eventually suspending my over-100-pound body on a single three-point base a little over 7 inches in length, was a revelation. In moving ever so slowly, I was able to experience the wonder of this daedal creation and marvel at its simplicity, yet its complexity.

As I moved about in this soothing walk, feeling the cool floor and the smooth functioning of my joints, I also marveled at how our life is such a walk, as we move from one foot to the other, never exactly straight ahead, but rocking from left to right. We are taken from one experience to the next, never in a straight line, yet we move toward something, and each experience brings us closer to our ultimate goal. We rock from one base to the other, depending upon God, depending upon ourselves, depending on others, every part of the creation moving in perfect synchronicity. We do not depend solely upon one base, but at least on two, if not more, bases to support our heavy bodies.

We are so dependent upon our feet that we do not realize the gift. We are actually dependent upon our Maker and upon others and upon our own spirit to keep us upright and moving forward. Yet we do not think of this at all, taking for granted those 26 bones, which without one or two of them, the foot could not function correctly, throwing out of alignment our entire skeleton, creating pain in joints created to balance evenly on our feet. Sometimes when there is pain in our hips or legs, we do not know why. But it may be because we are not using one foot correctly.

As I walk slowly forward, I am intensely aware of my connection to the earth, the cool wood, the world on which I walk. It is transmitted to me through the receptive nerves on my sole. I am grateful and feel its soothing energy calming and cooling the heat in my blood. It gives me peace..



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6/22/2009
On a Sunday evening, as the stars begin to glimmer out of the overcast sky, we stand in a circle around the perimeter of a stone labyrinth and listen to prayers of peace from every nation and religion, then tred the maze to the center in silence, with only the sounds of soft chiming.

It is there, in the center that the real dynamics of our humanity is released. We stand, silent, waiting for the last person to arrive through the maze. We quietly mention those whom we pray, those whose health has recently failed them, or those who have suddenly died.

We stand for a moment in silence and then begin to look for the moon, for it is the summer solstice, and the moon is supposed to be shining down on us as we stand in the night, sweltering in the heat, even though the sun has long gone, feeling our bare feet on the warm stone and the mosquitoes biting them. We have been handed chimes, one apiece, and their soft clanging comes from various places in random patterns, creating a melody.

We look up, searching for the moon, and see nothing but mist, and then the mist parts and a few stars glimmer above, the Plieades and the two stars pointing toward the North Star, which cannot be found in the dim sky. We mill about in the center of the labyrinth, my neighbor whispering that the petals around the circle stand for the universe: earth, sky, human, angelic, universal, and so forth. I say that is interesting. She says she knows because she was a guide.

We are forming small groups, chatting in clumps in the center, now, as our human minds turn to more esoteric interests and social connections which we have. My attention is drawn to two people there who are new in the community. I have met them earlier in another context. They seem friendly and talk with me, even though there is another couple that is trying to gain their attention. I am temporarily flattered, basking myself in their attention, walking along behind the woman as we leave the labyrinthian circle and discuss how we would like to be home bathing our feet in cold water.

I ride my bicycle alone through the dark streets of New Harmony, seeing only outlines in black and gray to guide my direction. It is very quiet. I left the group of about twenty people behind me, chatting in the heat of the night in the garden surrounding the labyrinth. Jane was seated on the marble bench by the rose fountain, her bare feet up on the bench, talking with Janet, the moderator for the evening. Richard and Margaret were preparing to leave, but talking with others who had gathered at the end, not wanting to leave. They were hoping for more social life, I suppose, hoping to go for iced tea somewhere, or more communing in someone's garden or front porch.

It is a sociable town and I could have stayed and been included. But I am thinking these days. I am finding my purpose, a way to live, doing what I do, still, painting and writing and sometimes sleeping through the hot days, sometimes working all night.

I am not sociable at this moment. I have given up dancing tonight at Paradise and I gave up the company of my friends to go to the service in the labyrinth. So I am wanting to be alone. It spoils the purpose if it is just an excuse to get together with others. I went for a solemn service, which is now complete.

The night welcomes me and I ride quietly through the streets for blocks, passing houses with lamps lit within. Not everyone was at the labyrinth. There are lives being lived separately, as mine is. I am unafraid; I am boundless, I am safe, I am at peace, even though the rest of the world is thrashing about in a sea of woe. It is not what I am preoccupied with. I am just trying to go home.


Please go to the Amazon website listed below to find the titles of my books.


I am recommending this video as a statement of the moral responsibilities we have to be wise in our education, religion and laws. It is a great talk by Barry Schwartz on the real crisis in the United States:



Enjoy!


Sunset Beach Colored ink, mixed media. Watercolor paintings or pen and ink drawings and computer generated prints.


CONTACT JILL BY E-MAIL AT JillWBaker@gmail.com

GO TO AMAZON FOR THE LATEST PUBLISHED TITLES AT http://www.Amazon.com/

LOOK AT ILLUSTRATIONS ONLINE BY JILL BAKER AT: http://exploration.vanderbilt.edu/news/features/dos_pilas/news_dospilas_feature.htm
LOOK AT MORE ART, HORSES AND PHOTOGRAPHY AT http://community.webshots.com/user/jillbee7
MORE ART BY JILL BAKER http://www.artsnashville.org/registry/?scan=az&main=artist&id=60

This 3 foot X 2 foot oil and collage is entitled "Accomplice"

Jill has exhibited her collages, oils and watercolors in galleries throughout the world since 1975, when she began showing her work in New York, beginning with Goethe House, across from the Metropolitan Museum, and Ward-Nasse Gallery in SoHo (New York City).

She has also exhibited her work in Paris, France; Florence, Italy; Seoul, South Korea; Madrid, Spain and in the United States, in Los Angeles, Texas, Indiana (at Purdue), New York, Kentucky and Tennessee, among other places. There have been many one-person shows, as well as participation in group shows.

In 1977, she lived in Florence, Italy and in 1979 went to live in the Orient for a year, where she exhibited for the U.S.I.S. and was a visiting artist in Seoul, South Korea. She has taught at the university level for various universities

Jill lived in Gallatin, Tennessee for ten years, painting the beautiful and peaceful scenery of the lakes and ridges.

She now has moved her studio to New Harmony, Indiana, where she continues to paint with oils and creates collages.